At first glance, the premise for the new horror film Tarot, from directors Spenser Cohen and Anna Halberg, reads like a combination of tropes derived from other movies in the genre. A group of friends indulge in a familiar game/ritual (Ouija, Truth or Dare) and soon find themselves getting picked off one by one, unable to avoid their fate (Final Destination). Of course, when it comes to horror, sometimes originality isn’t necessary; what’s key are the scares, and how everything unfolds. Unfortunately, Tarot falls flat in the former category, and the latter isn’t particularly engaging.